The Metroplitan Opera's "Turandot" (photo: Met Opera) |
In ancient China, Princess Turandot (soprano Nina
Stemme) has decreed that anyone wishing to marry her must try to
answer three riddles; failure will result in death. When this edict
is announced to the crowds, among them are the slave Liu (soprano
Anita Hartig), her blind elderly master, and Calaf (tenor Marco
Berti), who recognizes the aged master as his long-lost father, Timur
(bass-baritone Alexander Tsymbalyuk), defeated King of Tartary. They
all watch as the latest attempted suitor, the Prince of Persia, is
sent to his death by the icy princess. Awed by her beauty, Calaf
strikes the gong that announces his intention to guess the answers to
the three riddles, though even Turandot's three ministers, Ping
(baritone Dwayne Croft), Pang (tenor Tony Stevenson) and Pong (tenor
Eduardo Valdes), try to discourage him. Calaf persists, however, and
correctly guesses the answers. Yet he gives Turandot a chance for a
reprieve, if she is able to name him by dawn's arrival, which would
send him to his death. Liu, who has always loved Calaf, refuses under
torture to reveal his name, and stabs herself to death rather than do
so. When they are left alone, the Princess suddenly knows love when
Calaf kisses her. He reveals his name, and Turandot then proclaims
she now can announce his true name, which is Love.
In this HD broadcast performance, Stemme was stupendous,
icy when needed and warm at last, her singing of her aria “in
questa reggia“ about the violation of her female ancestor a
highpoint. While Berti may have lacked full emotional impact in the
famous “nessun dorma” his signing was also exemplary. The
heartfelt role of Liu, with Hartig portraying a noble sacrifice with
careful attention to the composer's lush score, was lovely.
Tsymbalyuk was yet another plus, as were the trio of Croft, Stevenson
and Valdes. Once again the Metropolitan Opera Chorus shone under the
careful direction of Chorusmaster Donald Palumbo. Conductor Paolo
Carignani did justice to the lovely music, perhaps Puccini at his
most effective. The capable Live in HD Director Barbara Willis Sweete
made things run smoothly, as did Live in HD Host Renee Fleming.
It was a wonderfully balanced performance all around,
making for a particularly memorable addition to the current season.
When it works, as it certainly did here, it can be difficult to
single out what made it so special, which can sometimes be an
intangible mystery...and you only get three guesses.
The broadcast of "Turandot" will be repeated this Wednesday February 3rd at a theater near you.
The broadcast of "Turandot" will be repeated this Wednesday February 3rd at a theater near you.
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