Leigh Barrett & Will McGarrahan in "Souvenir" (photo: Mark S. Howard) |
Barrett. McGarrahan. Veloudos. That's about all you
need to know about the current revival of the play all three of these
artists previously presented at Lyric Stage Company about a decade
ago: namely Souvenir, a Fantasia on the Life of Florence Foster
Jenkins, by Stephen Temperley. If you saw it then (or
off-Broadway in 2004, or on Broadway in 2005, or in the movie about
the same real-life person just this past year), you owe it to
yourself to see how all three of these artists now recreate their
hilarious depiction of one of history's most memorable performers.
As helmed by Spiro Veloudos, Producing Artistic Director of the
company for the last twenty years, there are brought back to life
treasured memories, by the entire cast. They would be Leigh Barrett
in the title role of aspiring classical concert diva and Will
McGarrahan as her accompanist Cosme McMoon. And you're probably
laughing already at that improbable duo. As Veloudos notes in the
program, in music the term “fantasia” implies improvisation, and
this play does precisely that. If you've never encountered these
uniquely ungifted characters (played by uniquely gifted actors)
before, one must admit to feelings of envy, as there's nothing like
coming across this twosome for the first time.
Unless it's the second time. Which is inexplicably even
better. Perhaps it's the shock of plain recognition that, yes, they
were and are that absurdly enthralling. Maybe it's the most
earth-shaking fact that actors, even if they seem perfectly cast, can
on second viewing seem recast as amazingly new, fresh and improved.
When we first encounter McMoon (oh, that name just makes one swoon)
at a Greenwich Village supper club in 1964, we can immediately grasp
the depth and density of their commitment. The crowning moment (or
nadir) of the public life of this wealthy socialite who sold out
Carnegie Hall is at one and the same time a howling success and a
career-breaking end. It's a simple demonstrable fact, as evidenced
by Jenkins' actual recording of her performance of, among other
pieces, the Queen of the Night's solo aria from Mozart's Magic
Flute. Friends of this critic who possessed a copy shared it
(and may never be spoken to in polite circles again).
Will McGarrahan & Leigh Barrett in "Souvenir" (photo: Mark S. Howard) |
How an actor can present a fully grounded character who
is totally believable yet impossibly bizarre is a wonder. Barrett
has proven her comedic and singing chops before (most recently in the
Lyric's version of Gypsy), but this time out she's ready to
surprise us again with a drive that entertains relentlessly while
subtly revealing how intricate and complex Jenkins was as a
celebrity, long before social networking and the internet cloud; she
reigned on a cloud of her own in which her audience, then and now, is
sublimely complicit in her blissful unawareness. And let's not
overlook the reactive contribution of the steadily, increasingly
incomprehension on the face of McGarrahan as he accompanies both her
and us on this journey (he is also the program's Music Director).
They're a perfect match made in auditory heaven (or hell). Either way
you see and hear it, it's cause for rejoicing. Never before has such
bad been so good.
Creative accompanists include Scenic Designer Skip
Curtiss (repeating his terrific work on the 2007 version), Lighting
Designer Chris Hudacs and Sound Designer David Wilson, but most
especially, Costume Designer Gail Astrid Buckley, whose work on this
piece alone should evince belly laughs. But the utmost praise is due
to that triple threat of Barrett, McGarrahan and Veloudos,
responsible for an uncanny cascade of mind-boggling side-splitters,
rib-ticklers and knee-slappers galore. Your attitude toward musical
performance may never be quite the same after you've experienced this
souvenir of a bygone era. (Or error).
It's become a cliché to praise a piece of comic theater
these days as being an escape from the madness of the current White
House, but it's true; you couldn't ask for a more entertaining cure
(for two hours at least) of madcap mayhem, on offer until November
19th. By all means, go!
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