Lyric's "Cake": More than a Mere Trifle?

Karen MacDonald, Chelsea Diehl & Kris Sidberry in "Cake"
(photo: Mark S. Howard)

Anytime local theatrical treasure Karen MacDonald takes to the stage, there is cause for celebration, perhaps calling for an appropriate response, which might well result, given the right vehicle, in the creation of a cake. Such is the case in the current Lyric Stage offering, the new comedy The Cake, by Bekah Brunstetter, wherein MacDonald and her three co-stars react in various ways to the gradual revelation that there is to be a wedding for which she is asked to provide the central culinary element. By the time it becomes clear what the decision to bake or not to bake will be, the audience will have been exposed to the existential crisis that this seemingly simple request will entail, and how religious and political contrasting viewpoints will be exposed as a recipe for conflict.

Karen MacDonald in "Cake"
(photo: Mark S. Howard)
You see, the ceremony is to join in matrimony Jen (Chelsea Diehl) the daughter of the late best friend of Della (MacDonald) to her bride-to-be Macy (Kris Sidberry), which causes a dilemma, since Della is the proprietress of North Carolina's Della's Sweets and is not coincidentally a far-right bigot married to another far-right bigot, Tim (Fred Sullivan, Jr.). There are other layers in the story (notably an upcoming appearance on a televised baking show contest), which seem to exist primarily to assure us that Della is still “agreeable” despite her deep-seated ideas regarding same-gender marriages. But it's somewhat equivalent to the concept of a mother-in-law recipe with something intentionally omitted.

Fred Sullivan, Jr. & Karen MacDonald in "Cake"
(photo: Mark S. Howard)

That omission is the very real issue of discrimination, which is treated comically, glossing over the ugly underbelly of this ninety-minute one act treatment. It's a tribute to MacDonald's prowess as an actor that she manages to present her character in a believable way; the same could be said for the remainder of the cast, with Diehl's earnest portrayal alongside Sidberry's overt LGBTQ militancy and Sullivan's hilarious spouse with his heterosexual intimacy hangups. It's of some interest that the creative team includes an Intimacy Director (Ted Hewlett) in addition to the expert Direction by Courtney O'Connor (currently the Acting Artistic Director of the company). Despite the histrionic talent on display, the play has some half-baked elements, but this production is fortunate to have several estimable creative contributions, from the Scenic Design by Matt Whiton, to the Costume Design by Charles Schoonmaker, Lighting Design by Aja Jackson and Original Music and Sound Design by Arshan Gailus. They're all supportive of the play's heart, with MacDonald as the frosting.

Kris Sidberry & Karen MacDonald in "Cake"
(photo: Mark S. Howard)

There are some clever elements to the story (references to Noah's Ark and the dinosaurs, Chick Fil-A and the like) and a few hysterically memorable moments. This being a comedy, the end is rather baked in, so to speak, and its intentions, though often predictable, are admirable. On the whole, this production is well done.
As Della ultimately proclaims, “you need cake”, until February 9th.

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