Roberto Alagna & Kristine Opolais in Metropolitan Opera's "Manon Lescaut" (photo: Ken Howard) |
The Metropolitan Opera's recent mounting of Puccini's
opera Manon Lescaut caused quite a stir. The controversial
production is by Sir Richard Eyre, but more about this later. When
the 1893 original version was first performed, it became Puccini's
first successful work, even though it followed the well-received 1884
Manon by Massenet. First, a brief synopsis might help to
illustrate how radical Eyre's concept of the work is.
Students, led by Edmondo (tenor Zach Borichevsky) are
singing in the town square in Amiens and urge the brooding Des Grieux
(tenor Roberto Alagna) to join them. He flirts with some of the town
girls. A train (in this version) arrives, carrying Geronte (bass
Brindley Sherratt), Lescaut (baritone Massimo Cavalletti) and his
sister Manon (soprano Kristine Opolais). Struck by her beauty, Des
Grieux approaches her, and they agree to meet later. Inside the inn
Geronte and Lescaut discuss Manon's future, namely Geronte's taking
her to Paris. Edmondo overhears them and warns Des Grieux, agreeing
to help them to run away. Lescaut advises Geronte that his sister's
love for the best things in life will bring her around before long.
Manon proves him right by becoming Geronte's mistress in his Parisian
palace, but soon becomes bored. When Des Grieux arrives at the
palace, they are reconciled and found in an embrace by Geronte, who
summons the police and denounces her for her immorality. (It's a
sign of the times that only she, and not Geronte himself, is so
accused). Before she can flee, she grabs her jewelry, a costly delay
as the police arrive to arrest her for theft. Later, she is held in
the barracks at the port of Le Havre, to be deported to America with
a group of prostitutes. Bribing the jailor, Lescaut intends to free
his sister, but the plan is thwarted, and she is led onto the ship.
Des Grieux convinces the Captain to take him along as a deckhand. In
the final scene, the lovers find themselves in a “wasteland” (the
“deserts of Louisiana” in the original libretto by no fewer than
five librettists, whose sense of geography was a mite off). Manon,
weak, sends Des Grieux to find water and shelter. He returns, but
too late, as she dies believing that time will cleanse her of any
sin, and he is left with only memories of their all-too-brief time
together.
The plot has more than a few lacunae. For
example, when Des Grieux sings in the final act of their formerly
happy existence, he's referencing a period between earlier acts,
which we never get to see. But much could be forgiven when there is
such lovely music performed so well. Alagna, stepping in last month
for an ailing Jonas Kaufmann, has obviously had time to hone his
skills by now, as his singing was superb. Borichevsky, Cavalletti
and Sherratt were also in fine voice. But it was in the title role
that Opolais truly triumphed, notably in her justly famous,
heartbreaking aria “sola, perduta, abbandonata”. But it
was the audience who was alone, lost and abandoned by the vision of
Eyre. Updating the time frame to 1941, with Set Design by Rob
Howell, Eyre added a menacing and inappropriate undertone to the
tragic love story with omnipresent Nazis in occupied Paris. Worse,
the final scene was altered here to be sung in a deconstructed
recreation of the palace bedchamber seen in an earlier act. It was a
wrongheaded vision from the start. At least the HD broadcast Host
was the charming Deborah Voight, and the performance was Directed for
the HD broadcast by Gary Halvorson. The score was energentically
Conducted by Fabio Luisi. The Metropolitan Opera Chorus excelled as
usual under the capable direction of Chorus Master Donald Palumbo.
The Lighting Design was by Peter Mumford the and Costume Design was
by Fotini Dimou.
Eyre's Production was distracting, bizarre and
ultimately pointless. Against all odds, and largely thanks to the
memorable performances, this Manon Lescaut survived
nonetheless.
Encore presentation will be HD broadcast on Wednesday March 9th at 6:30pm at a theater near you.
Encore presentation will be HD broadcast on Wednesday March 9th at 6:30pm at a theater near you.
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