The Cast of "Cakewalk" (photo: Zeitgeist Stage Company) |
One of them, Augusta Connors Hancock (Maureen Adduci),
intends to enter the wedding cake she has designed and baked for her
daughter Tiffany (Ashley Risteen) against her daughter's wishes.
Another, Sister Vivien Leigh Cleary (Victoria George) from the local
convent, dons mufti and hopes to send another nun to Italy (the grand
prize) but finds her focus altered by the arrival of an absent-minded
archeologist, Taylor Abbott (Matt Fagerberg). Yet another, Martha
Britch (Aina Adler), owns a local cafe by the name of Heaven on Earth
and enters a cake from her regular menu, which infuriates boyscout
den mother Ruby Abel (Kelley Estes). As the saying goes,
complications ensue. Who wins what won't be disclosed here, but
suffice it to say that at the end of the play several threads in a
very threadbare plot are neatly tied up.
The cast, including some Zeitgeist stalwarts, play their
roles as presumably written, over the top and stereotypically.
Fagerberg manages best, as his character is rife with opportunities
to look and act befuddled, right down to a hair-don't that looks like
an unmade bed. George and Adler have some of the better-written
scenes and make what they can of them. Adduci and Risteen have both
been seen in more fully developed roles in previous productions by
this company. It falls to Estes to make her driven caricature into a
believable zealot, but the task is thankless. Overall, the
hyperventilated script filled with jokes that must have seemed dated
over thirty years ago when it was first presented, is a
disappointment. One could easily be caustic and refer to the play as
half-baked, flavorless, or an overdone slice of life, but these would
be cheap shots and would disrespect the author's efforts. Given the
numerous plays she has created, this must be an atypical misfire in a
host of perhaps more memorable works. That said, nothing is more
dour than an intended comedy that, by and large, just isn't funny.
As social satire, it kneads work.
The Direction and clever Set Design (replete with stains
and scorch marks) are by David J. Miller, Zeitgeist's Artistic
Director, with apt Lighting Design by Michael Clark Wonson, fine Sound Design by J. Jumbelic and amusing Costume Design
by Jess Huang.
At one point near the end of the work, a character asks:
“Cheaters in a cake-baking contest on the Fourth of July...can you
believe it?” The answer, sadly, is no.
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